🌀 Introducing Marginalia

— a new, recurring section of Fragments & Futures.

I’ve been thinking lately about what sticks—what lingers after the last page, what gets scrawled in the margins or circled twice. Some books teach. Some haunt. Some feel like collaborators.

So, I’m starting a new recurring section here on Fragments & Futures:

Marginalia

Marginalia is where I’ll collect side notes, underlined passages, cross-disciplinary connections, and thoughts sparked by the books I’m reading—especially those that reflect the fragmentary, layered logic of collage.

Where the edges of one idea blur into the next.

These aren’t reviews—not in the star-rating sense. Think of them as reflections, annotations, or quiet notes passed between disciplines.

Sometimes they’ll link to what’s happening in the studio. Other times, they’ll veer off in unexpected directions. But always, they’ll interrogate: What does this work do? And what has it left behind?

The first installment—a look at What Art Does: An Unfinished Theory by Brian Eno and Bette Adriaanse—drops soon.

See you in the margins.

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